The clean sound is just as amazing, and Supro amps are known to have a gorgeous creamy clean tone. Because of this, it has more versatile overdrive and distortion options than the Fender Blues Junior, and you can get anything from vintage blues tones to modern rock lead tones from this amp. The gain switch is the dirtiest of all the options, but what’s really exciting is you can mix and match each circuit. The diverse options for gain and overdrive really set this amp apart from many other tube amps, and each option has its own distinct personality. It also comes with 3-band EQ controls – bass, mid and treble, and a reverb knob. The Blues King 12 comes with jaw-dropping options for gain tones – volume (gain), boost switch, gain switch, and a master volume. It has an impressive amount of power from the class A 6L6 power section, but with only one input. They’re inspired by the early Supro amps, and the neat black and silver design gives you both a vintage and a modern feeling. Right off the bat, you’ll notice the unique but beautiful design. Recently, Supro released an amp that is as equally affordable and has even more features than the Fender Blues Junior. They’ve had many iconic artists like Jimmy Page use their amps over the years. Supro is known for being another legendary amp company that has been around since the 1920s. Here is a competitor to the famous Fender Blues Junior – the Supro Blues King 12. Not the best for hardcore rock and metal distortion tones.Ģ.Simple and classic design that is true to the original.I would not hesitate to rate this amp 5 out of 5! Pros The Fender 65 Princeton Reverb has one of the best clean tones and it’s also perfect for some gorgeous overdrive sounds. The amp comes at under $1000, which is extremely rare for an amp of this quality. It’s totally possible to use this at smaller sized venues. Though it’s a 15 watt amp, you’ll be surprised at how loud it can get. No doubt a deliberate decision at this point just to stay true to the original. It’s really a tremolo effect and has no bearing on the pitch whatsoever. The reverb is generally known to be on the brighter side and the ‘vibrato’ effect is perfect for creating both slow and fast atmospheric pulses.Ĭonfusingly, Fender mislabelled this effect. In general, the clean tone coming from this amp has shimmering treble and full bass, while the natural overdrive allows for a fat overdrive tone with deep sustain. The Fender 65 Princeton Reverb is known for its heavenly clean tones – some of the best in the business. It’s also equipped with Jensen Special Design C-10R 10” Speaker. These are all high-quality parts in particular, I love how the 5AR4 rectifier warms the amp up gradually to the high point voltage. In terms of tubes, the 65 Princeton Reverb comes with three 12AX7s, a 12AT7, two 6V6 tubes, and a single 5AR4 rectifier tube. This amp stays true to the original, and this is a big part of why I love it so much. You’ll notice that even though these are recent versions of the classic amp, there are no modern digital functions or fancy effects like chorus and flanger ( click here for a refresher on chorus vs flanger vs phaser) ( click here for a refresher on chorus vs flanger vs phaser). It comes with volume, treble, bass, vibrato (tremolo) speed and intensity, and reverb depth – a total of six knobs. The 65 Princeton Reverb has a classy design and includes two instrument inputs. Even after so many years, these amps have kept their classic look, with the original vibrato effect and spring reverb intact. They were first manufactured as practicing amps by Leo Fender, but they are now regarded as excellent studio amps as well. Fender’s 65 Princeton Reverb guitar amplifier is one of the most legendary amps in the business, and also one of the earliest, dating back to 1946.
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